Many composers explore the comforting security that an single feels when he/she is able to belong. However, there are many texts that explore the types of barriers that whitethorn prevent an exclusive from belonging or which may swear out his/her choice not to belong. This notion of belonging is explored in blastoff Skryznecki’s poems Ancestors and expectcard, Niki Caro’s 2002 film Whale Rider and Lauren Weisberger’s novel The Devil Wears Prada through the use of various poetic, cinematic and literary techniques. Cultural friendship can give an individual a sense of belonging, however for Skrzynecki his lack of ethnic cognition is a barrier to his ability to feel he belongs. His inability to share his father’s ethnical background and experiences gives him a strong sense of alienation evident in the poems ‘Ancestors’ and ‘ bet card’. This lack of cultural identity and knowledge acts as an obstacle to his ability to feel a s ense of continuative to others. In Ancestors, as in Post card, Skrzynecki reflects on the defeat he feels because of his lack of knowledge of his family’s culture.
The barrier mingled with Skrzynecki and his cultural knowledge is portrayed in the dark, haunting rendering of his ancestors in his dream, ‘Who are these shadows/That hang over you...’. The use of the rhetorical apparent movement highlights the uncertainty and alienation that he feels about his cultural identity. The metaphor “tongue dry as caked mud” symbolically reflects the turn landscape that is the poet&rsquo ;s existence in line of intersection with t! he serene and beautiful images of the “moonlit plain”. However, this beauty is not shared by Skrzynecki due to the lack of any meta carnal bond with his ancestors. ‘The wind tastes of subscriber line’ is symbolic as it represents his barren cultural understanding and the separation from his ancestors and yet alludes to the physical blood bond between him and them....If you want to get a bountiful essay, order it on our website: OrderCustomPaper.com
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